Fix:Velazquez-Meninas.jpg
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Resoma
Diego Velazquez: Las Meninas | |||||||||||||||||||||||||
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Artist |
artist QS:P170,Q297 |
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Title |
Las Meninas |
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Object type | painting | ||||||||||||||||||||||||
Genre | group portrait | ||||||||||||||||||||||||
Depicted people | |||||||||||||||||||||||||
Data |
1656 or 1657 date QS:P571,+1656-00-00T00:00:00Z/8,P1319,+1656-00-00T00:00:00Z/9,P1326,+1657-00-00T00:00:00Z/9 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions | 318 × 276 cm | ||||||||||||||||||||||||
Collection |
institution QS:P195,Q160112 |
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Accession number |
P001174 (Museo del Prado) |
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Place of creation | Espania | ||||||||||||||||||||||||
Exhibition history | |||||||||||||||||||||||||
Referes |
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Authority file | |||||||||||||||||||||||||
Source/Photographer | www.oneonta.edu - "Las Meninas" | ||||||||||||||||||||||||
Permete (Reusante esta fix) |
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Other versions |
Camera location | 40° 24′ 49.68″ N, 3° 41′ 31.2″ W | View this and other nearby images on: OpenStreetMap | 40.413800; -3.692000 |
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Items portrayed in this file
depicts English
Las Meninas English
digital representation of English
Las Meninas English
coordinates of the point of view English
40°24'49.7"N, 3°41'31.2"W
main subject English
Las Meninas English
Istoria de fix
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Data/Ora | Imajeta | Mesuras | Usor | Comenta | |
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aora | 18:23, 25 febrero 2009 | 865 × 985 (128 KB) | Calliopejen1 | Reverted to version as of 19:32, 28 November 2004 - broke imagemap template in use in en.wiki | |
17:26, 22 janero 2009 | 1,378 × 1,611 (540 KB) | Paris 16 | |||
21:30, 21 janero 2009 | 1,378 × 1,700 (1.83 MB) | Paris 16 | |||
19:32, 28 novembre 2004 | 865 × 985 (128 KB) | Stw | "Las Meninas" by Diego Velázquez |
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Comenta de fix JPEG | VELÁZQUEZ, Diego Rodriguez de Silva y
(b. 1599, Sevilla, d. 1660, Madrid) Las Meninas 1656-57 Oil on canvas, 318 x 276 cm Museo del Prado, Madrid This is a composition of enormous representational impact. The Infanta Margarita stands proudly amongst her maids of honour, with a dwarf to the right. Although she is the smallest, she is clearly the central figure; one of her maids is kneeling before her, and the other leaning towards her, so that the standing Infanta, with her broad hooped skirt, becomes the fulcrum of the movement. The dwarf, about the same size as the Infanta, is so ugly that Margarita appears delicate, fragile and precious in comparison. On the left in the painting, dark and calm, the painter himself can be seen standing at his vast canvas. Above the head of the Infanta, we see the ruling couple reflected in the mirror. The spatial structure and positioning of the figures is such that the group of Las Meninas around the Infanta appears to be standing on "our" side, opposite Philip and his wife. Not only is the "performance" for their benefit, but the attention of the painter is also concentrated on them, for he appears to be working on their portrait. Although they can only be seen in the mirror reflection, the king and queen are the actual focus of the painting towards which everything else is directed. As spectators, we realize that we are excluded from the scene, for in our place stands the ruling couple. What seems at first glance to be an "open" painting proves to be completely hermetic - a statement further intensified by the fact tbat the painting in front of Velázquez is completely hidden from our view.
Author: VELÁZQUEZ, Diego Rodriguez de Silva y Title: Las Meninas Time-line: 1601-1650 School: Spanish Form: painting Type: portrait |
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